Silent Circle


I composed this piece, in the form of  a musical labyrinth, on the occasion of the 25th anniversary of the Nieuw Ensemble. The labyrinth symbolizes the momentary confusion of the mind, it imposes silence to the psyche and forces the spirit to pass through different states of consciousness towards another form of perception.

Wandering through a labyrinth means turning in circles, and at each round making one step more towards the centre of the spiral. For me, the image of a silent circle represents the conditions in place prior to any creative endeavour. It defines time and space, and includes the seeds of a thought.  Silent circle is the pure form of a spiritual quest within your internal/inside labyrinth. Goal and source then merge.

(c) Misato Mochizuki

Misato Mochizuki JP

Born in 1969 in Tokyo, Misato Mochizuki is amongst those composers who are equally active in Europe and in Japan. After receiving a Masters degree in composition at the National University of Fine Arts and Music in Tokyo, she was awarded first prize for composition at the Conservatoire National Supérieur in Paris in 1995, and then completed the "Composition and Computer Music" program at IRCAM (1996-1997).

In her very own combination of Occidental tradition and the Asiatic sense of breathing, Misato Mochizuki's style of writing developed magical rhythms and unusual sounds of great formal and stylistic freedom. Her catalogue of works (published by Breitkopf & Härtel) consists of about 40 works today, including 15 symphonic compositions and 12 pieces for ensemble. Her works have been performed at international festivals such as the Salzburg Festival, the Biennale di Venezia, and the Folle Journée in Tokyo and have received numerous awards:  the audience prize at the Festival Ars Musica in Brussels for Chimera in 2002; the Japanese State Prize for the greatest young artistic talent in 2003; the Otaka Prize for the best symphonic world premiere in Japan in 2005 (for Cloud nine); the Grand Prize of the Tribune internationale des compositeurs in 2008 (for L'heure bleue); and the Heidelberg Women Artists' Prize in 2010. Her most outstanding productions include the orchestral portrait concert at Suntory Hall in Tokyo (2007), the cinema concert at the Louvre with the music to the silent film Le fil blanc de la cascade by Kenji MIzoguchi (2007) and the portrait concert at the Festival d'Automne in Paris (2010).

Between 2011 and 2013 Misato Mochizuki was composer-in-residence at the Festival international de musique de Besançon. Since 2007 she has been professor of artistic disciplines at the Meiji Gakuin University in Tokyo, and has been invited to give composition courses in Darmstadt, in Royaumont, in Takefu, at the Amsterdam Conservatory, and so on. Within the framework of her activities, she continually reflects on the role of the composer in today's society and on the necessity to open oneself to it. In addition, Misato Mochizuki writes about music and culture in her own column every three months for the renownedYomiuri Shimbun, the most widely read daily newspaper in Japan.

For more information about Misato Mochizuki, click here.

Misato Mochizuki